12-TONE PLUS

review from Guitar World, January 2001
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Micro Manager

FreeNote 12-Tone Plus
By David Beardsley
Think of all the great electric guitarists from the last 50 years who have stretched strings, played with a slide or yanked on a whammy bar in their search for just the right note. Now, try to imagine their music without any bent notes. Seems a little dull, doesn't it? That's because microtones - the notes that fall between the half-step intervals of a guitar's fretboard - add color and texture to the standard, man-made 12-tone scale used in contemporary music. Some of these microtones are actually in tune with the harmonic series, the naturally occurring series of notes on which the 12-tone scale is based. While those notes would actually sound harmonious if used in chords, the fretboards of standard guitars simply don't have frets for them. The solution? Add frets.

FreeNote Music has taken a step in this direction. Through an exclusive deal with G&L Guitars, FreeNote has created microtonal electric guitars that retain the fretboard's standard layout but have additional frets that allows guitarists to play microtones.

Our review guitar was FreeNote's 12-Tone Plus Built upon the G&L S-500 - a guitar that is itself based on the Fender Stratocaster - the 12-Tone Plus has a swamp ash body and a hard rock maple neck. Aside from its brilliant blue burst finish, our guitar's most conspicuous feature was its numerous frets: a total of 19 in the first octave alone.

Since FreeNote assumes a fairly steep learning curve for most of its audience, the 12-Tone Plus comes with a detailed and clearly annotated instruction booklet that provides numerous examples, in notation and tablature, of chords that can be created on the guitar. The new chords described in the book include the harmonic 7th (a bluesy flatted minor 7th), the half-minor (a related minor 3rd) and a double minor chord with two 3rds that creates a unique, shimmering microtonal effect. The booklet also includes useful information about the various scales that can be created within the 12-Tone's vast territory.

The real fun began once I left the booklet behind and ventured off on my own. I soon found that, with a little effort, I could adjust familiar chords - dominant 9ths (think James Brown), augmented 9ths (the "Hendrix chord") and all sorts of demented note clusters from heaven or hell-to work within this system. In fact, everything I played on the 12-Tone Plus, from descending power chords to familiar tapped patterns, sounded fresh.

FreeNote also offers the 12-Tone Ultra Plus, with more harmonic series frets, and other models-including fretless guitars, 19- and 31-tone equal temperament guitars and 62-tone just intonation guitars that allow further explorations into the beyond. These tuning systems are also available on any G&L guitar or bass.

THE BOTTOM LINE

In a world where musicians are constantly looking for new textures, here's an option for adventurous.

List price starts at $1,595 (with hardshell case)

FreeNote Music; 2350 Broadway, Suite 240, New York, NY 10024; (212) 580-0602 or email freenote@earthlink.net